I took a couple of days off after the last Bombay trip to take Jen to Varanasi and Agra – two cities of sacred and cultural significance. In fact, they are dripping with sacred and cultural significance. So much so that the cities’ local merchants of tourism need only to rely on the pull of such significance, and not the push of adequate accommodation or transport, to lure curious visitors.
A public farewell
Varanasi shares with Middle Eastern Sumar the mantle of the oldest continually inhabited place on Earth. As Amritsar is the religious home of the Sikhs, Varanasi’s divinity is absolute as the holiest city among the Hindus – as their mythology narrates many important events as having occurred on the site Varanasi now stands. Moreover, the city sits on the banks of the Ganges - a mother river from which a suckling India draws spiritual nourishment. On top of the city’s attraction as a destination for Hindu pilgrims, Varanasi also offers an obscure option for Hindus to circumvent the cycle of reincarnation should they die there. It is believed that expiration within the city allows the soul to attain salvation, as immersion in the Ganges brings about the forgiveness of sins and the curing of ills.
Recent environmental and human influences have somewhat clouded the argument supporting the Ganges’ retention of its alleged healing properties. Unfortunately India has suckled too long and industrial waste and an extremely dependent overpopulation of river users has turned the river septic. This doesn’t seem to bother anyone. Despite a cornucopia of warnings and attempts to limit its use, the Ganges is still as populated, as social and as relied upon as ever.
We caught a plane to Varanasi from Delhi, and travelled into the old city by various means of transport that were dictated by how narrow the roads became as we approached our hotel (which was perched on the bank of the river). Even after using our rustic trek through Rajasthan as a yardstick, Jen and I were still appalled by just how dirty Varanasi was. Dirt and refuse seems to have had an uninterrupted renaissance during the 8,000 odd years of continuous habitation, and has covered the city in an odious veneer that would possibly require a flood to remove. Fortunately, we only spent a short amount of time in the city (about 20 minutes) as the real excitement happens upon the ghats – being the steps rising out of the river.
The ghats host all manner of activities, from the humdrum to the bizarre. They essentially serve as wide stone walkways that hug the Ganges upon which temples, hotels and large piles of firewood (I’ll get to that a little later) are situated – all attracting different collections of people with different motives for being at the river’s bank. There are the religious folk (sadhus and the like) who conduct all manner of dogmatic observations ranging from the auspicious incense burning ceremonies to the absurd ritual of staring straight at the sun as a form of meditation. There are the touts (the collective noun of which I’m going to coin as ‘a ubiquity’) who punctuate the bustle of ghat life with their squawk (“Helloooo…boat? Helloooo… boat?”). There are the young men and old women who use the water to wash young bodies and old clothes respectively - both of which then being stretched out in the sun to dry. Finally there are the onlookers - local and foreign - who simply come to the ghats to watch humanity at its strangest, most perfunctory and most intimate.
All this activity makes for difficult passage through the ghats. One is restricted to walking, and dodging, their way around – with the local city-folk, cows and goats providing excellent defence against one’s wish to progress in a straight line. Numerous urban mines proliferate the ghats, providing yet more things to dodge while walking: the squelch of slippery cow-pats, the stickiness of spat out paan explosions and the crunch of disposable terracotta chai mugs left on the ground to await their pedestrian demise.
It was dusk when we checked into the Alka Hotel. We had our first brief glimpse of one of the world’s most legendary rivers from the hotel terrace that hung over the top of the ghat. It was wide, still and eerily silent. A few boatmen slid across its surface, with one leaving a trail of floating candles behind it. We remained in our room long enough to conclude that the Hindu god of hotel accommodation had forsaken us, obviously having run out of patience at our extravagant overuse of his blessing in Bombay only nights before.
On our first morning we answered the touts’ call to the boats and took a dawn voyage down the Ganges. This trip catalysed within me a feeling somewhere between uneasiness and world-weariness that would remain for the duration of our three days in Varanasi. Through the gloom of predawn we made out the shapes of temples and bathing ghats, and as the sun glossed the bank in daylight these shapes sprung to life with people busying themselves with those aforementioned pursuits. But no matter how vibrant the river became, I couldn’t shake the apparition of Varanasi as a dark city emerging from a dead river.
I knew this had spawned from my knowledge of the macabre enterprise of two of Varanasi’s more famous ghats. The Manikarnika and Harish Chandra Ghats are different from the hundred or so others that dot the riverbank – for they are the burning ghats. If a soul is to make use of Varanasi’s ability to short circuit the rebirth cycle, the dead must be cremated atop one of the many open air funeral pyres that are built within these ghats. Only the ‘untouchables’ (the dalits falling below the caste system who perform society’s most unpleasant tasks) are permitted to touch the bodies and maintain the fires – which run 24 hours a day. While I knew what to expect from this aspect of the Varanasi experience, it’s still an unsettling enough event to leave one unable to fully prepare for.
According to Hindu custom, the soul leaves the physical body at the moment of death. This results in the treatment of the deceased becoming impassive and even clinical when attending to its destruction. The body is wrapped in a thin white sheet, placed on the pyre and set alight. Incense is heaped on the corpse as it burns to mask the smell of incinerated flesh. A body burned in this manner typically takes three hours. Accelerants (usually flammable gels) are applied to the corpse should there be a need to speed combustion. At some point during the cremation the oldest son (should there be one) will be required to break open the skull of the corpse with a large mallet to facilitate a more efficient burning of the brain. The ashes are finally scattered into the Ganges, and the soul is released into heaven.
We witnessed about a dozen souls reunite with their creator in this fashion. Unsurprisingly, this left us quite shaken up. However I found the most affecting aspect of all this not to be the ghoulish work of the untouchables, but the manner in which everybody else goes about their daily routines with such little attention given to this grim ritual. The pyres are metres from the water and the bodies are dragged through it one last time before being set alight. Only 10 metres away (and downstream) people will submerge themselves in the river and brush their teeth with this same water that just ran off a corpse. Kids will rummage through the ashes looking for salvageable valuables and the cremators will gossip and joke with one another while stoking the flames.
Once we made our way further along the bank, away from Manikarnika Ghat, I realised just how much infrastructure was in place to cater for the public farewelling of the bodies of loved ones. Giant stacks of firewood were impressively constructed adjacent to the ghat, and whole markets were set up behind the first tier of riverbank buildings where stalls supplied the ingredients for cremation (incense, gels) and weighing stations calculated the requisite amount of firewood needed for the pyre given the weight of the body. Next to the burning ghats were hospices, where the sick and elderly rent rooms overlooking the pyres and await their chance to escape their terrestrial ennui.
Varanasi is regarded as a totem of Hindu culture and vibrancy - and indeed it is. The city plays host to enormous religious festivals and its river has a magnetic quality among pilgrims. It’s crowded and colourful and enjoys an ever changing populace. Its ashrams and musical academies, its funeral processes and its ravenous tourist industry have combined to provide Varanasi its light-hearted moniker as “the city of learning, burning and earning”.
But regardless of its being a nucleus for festival and pilgrimage, I will remember Varanasi not for those who passed through, but for those who passed over.

The Ganges at dawn...

...during the day...
...and finally at dusk. A celebrated farewell
We returned to Delhi with just enough time for an early night before a completely uncivilised 6am rise to catch the train to Agra.
Forming the eastern tip of the ‘Golden Triangle’ (a marketing instrument crafted to assemble Delhi, Agra and Jaipur into a palatable four-day excursion), Agra is yet another city whose historical importance and ancient buildings manages to generate healthy tourist footfalls. I’m unable to remember exactly what Agra’s historical importance stems from, but I’m sure the main culprits would be wars, forts, Moghuls and the British.
As we had just the day in Agra, we were restricted to visiting only the Agra fort and a particular marble mausoleum erected by a Muslim emperor to entomb one of his wives after her unsuccessful attempt to live through the birth of their 14th child.
The Agra fort fell in step with other Indian forts by being large and fort-like. I believe I’m now fast reaching the point where the appeal of India’s garrisoned regal residences is facing rapidly diminishing returns. It did provide a nice view of the mausoleum though.
Emperor Shah Jahan’s marble celebration of his dead wife is much more impressive. Built in the 17th century, his mausoleum remains unmatched as an example of Islamic Moghal architecture. With its large domed roof, skyscraping minarets and intricate adornment of Islamic calligraphy inlaid with black marble, the mausoleum stands out as a striking creation as it stands alone within the grassed plains of Agra.

The white marble mausoleum
A sad farewell
Our Varanasi and Agra tours were completed in haste, so as to ensure Jen was able to see both cities before she played out her own farewell (from the country, not this world).
Again I have been in Bombay the past couple of days for work, but this time Jen opted to remain in Delhi as she hadn’t yet explored it properly. I had to move heaven and Earth to ensure I landed back in Delhi with enough time to say goodbye to my beloved. Jen’s flight left this morning from Indira Ghandi International Airport at 8am. I bounded through the apartment door at 2am, after forcing my way onto the final, delayed, flight out of Bombay from the preceding evening. We had only two hours in the apartment before the 4am alarm of Satan chimed, heralding that aching feeling brought on by an impending farewell. It was time to once again drive back to the airport.
It was a sad farewell this morning for obvious reasons. Saying goodbye to my sweetie was tough as it signalled the end of a ripper month long adventure. Jen and I have navigated our way across China, French Polynesia and now India, and despite often conflicting views on the amount of luxury we should travel in, we’ve always loved these shared experiences. Saying goodbye to my sweetie brought tears because, right now, I’m unsure when next I’ll see her. While my return to Australia is possibly imminent, there is still a chance of the odyssey continuing beyond what’s currently planned.
Rich and Jen's Indian Odyssey: 2006-07
Interesting discoveries:
- India’s interpretation of ‘first class’ train travel is quite creative
- The amount of stuff Jen left behind
Administrative facts:
- Curry-o-meter: 96 consumed
Song of the moment:
Alone Again Or, by Love